The delightfully deadpan heroine on the heart of “Silvia Prieto,” Argentine director Martín Rejtman’s adaptation of his have novel on the same name, could be compared to Amélie on Xanax. Her day-to-day life is filled with chance interactions and a fascination with strangers, nevertheless, at 27, she’s more concerned with https://jaredfthyh.blogkoo.com/reality-is-better-by-family-strokes-no-further-a-mystery-46284832